Reading Passage 1
  Title：
  印第安文明古迹
  Question types：
  待补充
  文章内容回顾
  待补充
  题型难度及技巧分析
  对于文化类的考察，放在第一篇的位置相对而言，对于考生而言还是比较友好的，尤其是针对古迹一类的词汇，学生相对而言应该还是比较熟悉的，类似于Relic这样的生词，考前应该完全熟悉并且做到心中有数。具体可参考文章：
  C13——TEST3 Passage3 Whatever happened to the Harappan Civilisation？
  Reading Passage 2
  Title：
  人类和人工智能的结合在太空探索中的应用
  Question types：
  待补充
  文章内容回顾
  待补充
  题型难度及技巧分析
  本篇文章相对而言还是比较简单的，在文章的理解上面首先就不是很难，其次在文章当中一直会重复出现AI等平时常见的生词，因此对于学生做题在信心上面也是很有帮助的，对待
这篇文章，最重要的就是要做到定定心心。但是把握好时间。
  具体可参考文章：C9——TEST1 Passage2 Is anybody out there？
  Reading Passage 3
  Title：
  科技爆炸带来的负面影响
  Question types：
  待补充
  文章内容回顾
  具体可参考这一篇类似的文章：
relic  Alexander Henderson （1831-1913）
  Born in Scotland， Henderson emigrated to Canada in 1855 and became a well-known landscape photographer.
  Alexander Henderson was born in Scotland in 1831 and was the son of a successful  grandfather， also called Alexander， had founded the family business， and later became the first chairman of the National Bank of Scotland. The family had extensive landholdings in Scotland. Besides its residence in Edinburgh， it owned Press Estate， 650 acres of farmland about 35 miles southeast of the city. The family often stayed at Press Castle， the large mansion on the northern edge of the property， and Alexander spent much of his childhood in the area， playing on the beach near Eyemouth or fishing in the streams nearby.
  Even after he went to school at Murcheston Academy on the outskirts of Edinburgh， Henderson returned to Press at weekends. In 1849 he began a three-year apprenticeship to become an accountant. Although he never liked the prospect of a business career， he stayed with it to please his family. In October 1855， however， he emigrated to Canada with his wife Agnes Elder Robertson and they settled in Montreal.
  Henderson learned photography in Montreal around the year 1857 and quickly took it up as a serious amateur. He became a personal friend and colleague of the Scottish- Canadian photographer William Notman. The two men made a photographic excursion to Niagara Falls in 1860 and they cooperated on experiments with magnesium flares as a source of artificial light in 1865. They belonged to the same societies and were among the founding members of the Art Association of Montreal. Henderson acted as chairman of the association＇s first meeting， which was held in Notman＇s studio on 11 January 1860.
  In spite of their friendship， their styles of photography were quite e Notman＇s landscapes were noted for their bold realism，Henderson for the first 20 years of his career produced romantic images， showing the strong influence of the British landscape tradition. His artistic and technical progress was rapid and in 1865 he published his first major collection of landscape  publication had limited circulation （only seven copies have ever been found）， and was called Canadian Views and  contents of each copy vary significantly and have proved a useful source for evaluating Henderson＇s early work.
  In 1866， he gave up his business to open a photographic studio， advertising himself as a portrait and landscape photographer. From about 1870 he dropped portraiture to specialize in landscape photography and other views. His numerous photographs of city life revealed in street scenes， houses， and markets are alive with human activity， and although his favourite subject was landscape he usually composed his scenes around such human pursuits as farming the land， cutting ice on a river， or sailing down a woodland stream. There was sufficient demand for these types of scenes and others he took depicting the lumber trade， steamboats and waterfalls to enable him to make a living. There was little competing hobby or amateur photography before the late 1880s because of the time-consuming techniques involved and the weight of the equipment. People wanted to buy photographs as souvenirs of a trip or as gifts， and catering to this market， Henderson had stock photographs on display at his studio for mounting， framing， or inclusion in albums.
  Henderson frequently exhibited his photographs in Montreal and abroad， in London， Edinburgh， Dublin， Paris， New York， and Philadelphia. He met with greater success i
n 1877 and 1878 in New York when he won first prizes in the exhibition held by E and H T Anthony and Company for landscapes using the Lambertype process. In 1878 his work won second prize at the world exhibition in Paris.
  In the 1870s and 1880s Henderson travelled widely throughout Quebec and Ontario， in Canada， documenting the major cities of the two provinces and many of the villages in Quebec. He was especially fond of the wilderness and often travelled by canoe on the Blanche， du Lievre， and other noted eastern rivers. He went on several occasions to the Maritimes and in 1872 he sailed by yacht along the lower north shore of the St Lawrence River. That same year， while in the lower St Lawrence River region， he took some photographs of the construction of the lntercolonial Railway. This undertaking led in 1875 to a commission from the railway to record the principal structures along the almost-completed line connecting Montreal to Halifax. Commissions from other railways followed. In 1876 he photographed bridges on the Quebec， Montreal， Ottawa and Occidental Railway between Montreal and Ottawa. In 1885 he went west along the Canadian Pacific Railway （CPR） as far as Rogers Pass in British Columbia， where he took photographs
of the mountains and the progress of construction.
  In 1892 Henderson accepted a full-time position with the CPR as manager of a photographic department which he was to set up and administer. His duties included spending four months in the field each year. That summer he made his second trip west， photographing extensively along the railway line as far as Victoria. He continued in this post until 1897， when he retired completely from photography.
  When Henderson died in 1913， his huge collection of glass negatives was stored in the basement of his house. Today collections of his work are held at the National Archives of Canada， Ottawa， and the McCord Museum of Canadian History， Montreal.
  题型难度及技巧分析
  这篇文章在三篇文章当中看上去和第二篇文章有点类似，但是从雅思真题的这篇文章来看，第二篇文章更加偏向于科技而不是强调人工智能。学生针对这一次AI连考两篇的一场考试中，应该形成一个意识：这段时间而言关于信息技术的进步，还有科技方面的词汇，要加强重视。

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