September 2009 • E-4024
TECHNICAL DATA / COLOR TRANSPARENCY FILM
KODAK PROFESSIONAL
EKTACHROME Films E100G and E100GX
Grain as Fine as Y
our Art.
KODAK PROFESSIONAL EKTACHROME Films E100G and E100GX are the next generation of color
transparency films. Both films deliver extremely fine grain (rms 8), a lower D-min for whiter, brighter whites, and an improved tone scale. These films feature the latest
advancements in Kodak’s Color Amplifying Technology and KODAK T-GRAIN® Emulsion Technology to
capture light more efficiently.
EKTACHROME E100G Film offers moderately enhanced color saturation with a neutral color balance. EKTACHROME 100GX Film also features moderately enhanced color saturation, but with a warm balance (the "X" is for warm).
Both films produce exceptional results for advertising, fashion, editorial, architecture, nature/wildlife, and other commercial applications.
These films are designed for exposure with daylight or electronic flash.
* In storage conditions of 10°C (50°F) and 15-20% relative humidity.
Product Discontinuance
Due to declining sales volumes, Kodak is discontinuing KODAK PROFESSIONAL EKTACHROME Film E100GX by year end 2009 or when stock is depleted.
The suggested alternative product is
KODAK PROFESSIONAL EKTACHROME Film E100G.
FEATURES
BENEFITS
•High efficiency T-GRAIN Emulsion Technology •Extremely fine grain
•Remarkably detailed scans •Greater enlargements •Lower D-min
•Whiter, brighter whites •Lower contrast tone scale
•Extended tonal range from highlights to shadows •Improved highlight and shadow detail
•Matched color records for a neutral tone scale •Pleasing, natural skin tone reproduction
•Consistent  gray scale rendition throughout tonal range •Outstanding reciprocity
•No speed or color
compensation required for exposures from 1/10,000 to 10 seconds
•Image archivability
•Dark storage image stability of at least 80 years *
•Images can be accessed for further use many years into the future
SIZES AVAILABLE
Sizes and catalog numbers may differ from country to country. See your dealer who supplies KODAK PROFESSIONAL Products.
KODAK PROFESSIONAL EKTACHROME Film E100G
* Perforated on both edges.
* For best results use with the KODAK PROFESSIONAL READYLOAD
Single-Sheet Packet Film Holder, CA T No. 893 7542.
KODAK PROFESSIONAL EKTACHROME Film E100GX
* Perforated on both edges.
Rolls Code / Spec No.
Acetate Base 135-36E100G 5-mil (0.13 mm) 35 mm x 100 ft
E100G / SP404*
120E100G    3.9-mil (0.10 mm)
220
E100G
Rolls Code /Spec No.Acetate Base 135-36E100GX 5-mil (0.13 mm) 35 mm x 100 ft
E100GX / SP404*
120E100GX    3.9-mil (0.10 mm)
220
E100GX
STORAGE AND HANDLING
Load and unload film in subdued light.
Store unexposed film in a refrigerator at 13°C (55°F) or lower in the original sealed package. To avoid moisture condensation on film that has been refrigerated, allow the film to warm up to room temperature before opening the package. Process film as soon as possible after exposure. Protect processed film from strong light, and store it in a cool, dry place. For more information on storing
transparencies, see KODAK Publication No. E-30, Storage and Care of KODAK Photographic Materials—Before and After Processing.
DARKROOM RECOMMENDATIONS
Do not use a safelight. Handle unprocessed film in total darkness.
EXPOSURE
Use the exposure index (EI) numbers below with meters and cameras marked for ISO or ASA speeds or exposure indexes. Do not change the film-speed setting when metering through a filter. Metering through filters may affect light meter accuracy; see your meter or camera manual for specific information. For critical work, make a series of test exposures.
Daylight
Use the exposures in the table below for average frontlit subjects from 2 hours after sunrise to 2 hours before sunset.
* Use f/8 for backlit close-up subjects.
† Subject shaded from the sun but lit by a large area of clear sky
Light Source
KODAK WRATTEN Gelatin Filter
Exposure Index Daylight or Electronic Flash None 100 Photo lamp (3400 K)80B 32 T ungsten (3200 K)
80A
25
Lighting Conditions
Shutter Speed (second)Lens Opening Bright/hazy sun on sand or snow 1/125f /22Bright or hazy sun, distinct shadows 1/125f /16*Weak, hazy sun, soft shadows 1/125f /11Cloudy bright, no shadows 1/125f /8Heavy overcast, open shade †
1/125
f /5.6
Electronic Flash
xposedUse the appropriate guide number in the table below as a starting point for your equipment. First select the unit output closest to the number given by your flash manufacturer, then find the guide number for feet or metres. To determine the lens opening, divide the guide number by the flash-to-subject distance. If transparencies are consistently too thin
(overexposed), use a higher guide number; if they are too dense (underexposed), use a lower number.
* BCPS = beam candlepower seconds
Multiple Exposure with Electronic Flash
No filter corrections or exposure adjustments are required for the effects of multiple, consecutive flashes (multipops) up to 4 flashes. For 8 flashes, add CC05M filtration.
Adjustments for Long and Short Exposures
No filter correction or exposure compensation is required for exposure times from 1/10,000 to 10 seconds. At exposure times of 120seconds, add CC10R filtration.
Note: This information applies only when the films are exposed to daylight. The data are based on average emulsions rounded to the nearest 1/3stop and assume normal, recommended processing. Use the data only as a guide. For critical applications, make tests under your conditions.
Unit Output (BCPS)*
Guide Number
Distance in
Feet
Distance in Metres
35040125005015700601810007021140085262000100302800120364000140425600170508000
200
60
Fluorescent and High-Intensity Discharge Lamps
Use the color-compensating filters and exposure adjustments below as starting points to expose these films under
fluorescent or high-intensity discharge lamps.  For critical applications, make a series of test exposures under your actual conditions.
To avoid the brightness and color variations that occur during a single alternating-current cycle, use exposure times of 1/60 second or longer with fluorescent lamps; with high-intensity discharge lamps, use exposure times of 1/125second or longer.
* When the type of fluorescent lamp is unknown, try this filter and
exposure adjustment; color rendition may be less than optimum.
* This is a high-pressure sodium-vapor lamp. The information in the table
may not apply to other manufacturers’ high-pressure sodium-vapor lamps due to differences in spectral characteristics.
Note: Consult the manufacturer of high-intensity lamps for ozone ventilation requirements and safety information on ultraviolet radiation.
Some primary color filters were used in the previous tables to reduce the number of filters and keep the exposure adjustment to a minimum. Red filters were substituted for equivalent filtration in magenta and yellow. Blue filters were substituted for equivalent filtration in cyan and magenta.
Fluorescent  Lamp KODAK Color Compensating
Filters
Exposure Adjustment Daylight 50R + 1 stop White 40M + 2/3 stop Warm White 20C + 40M + 1 stop Warm White Deluxe 30B + 30C + 1 1/3 stops Cool White 40M + 10Y + 1 stop Cool White Deluxe 20C + 10M + 2/3 stop Unknown Fluorescent *
30M
+ 2/3 stop
High-Intensity  Discharge Lamps KODAK Color Compensating
Filters Exposure Adjustment General Electric Lucalox *80B + 20C + 2 1/3 stop General Electric Multi-Vapor
20R + 20M + 2/3 stop Deluxe White Mercury 30R + 30M
+ 1 1/3 stops Clear Mercury
70R
+ 1 1/3 stops
PROCESSING
Chemicals
Process E100G and E100GX Films in KODAK Chemicals, Process E-6.
For consistent processing of these and all other
EKTACHROME Films, use a lab that is a member of the KODAK Q-LAB Process Monitoring Service.
Push Processing Characteristics
You can increase the effective speed (i.e., push) of E100G and E100GX Films by adjusting the first developer time. Increased film speed is useful under dim lighting conditions, or when you need high shutter speeds to stop action or small lens openings for increased depth of field. You can also use a short push to slightly increase contrast, sharpen highlights, or compensate for underexposure. By understanding these effects in advance, you can use pushing creatively and reliably.
Exposure for Push Processing
Labs that provide push processing usually offer the service for fixed time increases (i.e. push 1/2 or push 1) in the first developer. It is a good idea to make a series of test exposures and then work with your lab to determine optimum exposure settings. A recommended starting point for E100G or E100GX Films is to underexpose by 1 stop (EI 200) for a push 1 process (8 minutes in the first developer).
RETOUCHING
Use KODAK E-6 Transparency Retouching Dyes. You can chemically retouch sheet and 120/220 formats of these films on both the base and the emulsion side. Retouch only the emulsion side on the 135 size.
For information on retouching equipment, supplies, and techniques, see KODAK Publication No. E-68, Retouching Transparencies on KODAK EKTACHROME Film.
PRINTING TRANSPARENCIES
You can reproduce images made on E100G and E100GX Films by using a variety of Kodak materials. Duplicate Color Transparencies
For direct printing, use—
KODAK PROFESSIONAL EKTACHROME
Duplicating Film EDUPE
Color Prints
You can scan your image to a file and print digitally to—KODAK PROFESSIONAL PORTRA, SUPRA, and ULTRA ENDURA Papers
KODAK PROFESSIONAL ENDURA Clear Digital Display Material
KODAK PROFESSIONAL ENDURA Transparency Display Material
KODAK PROFESSIONAL ENDURA Metallic Paper SCANNING TRANSPARENCIES
For Graphic Arts Applications
The KODAK EKTACHROME Film family is characterized by sets of image dyes that perform very similarly when scanned. The scanner operator can set up one basic tone scale and color-correction ch
annel for all EKTACHROME Films, and then optimize the tone scale and gray balance for the requirements of individual images.
Use the KODAK Color Input Target / Q-60E1 (4x5–inch transparency) or Q-60E3 (35mm slide) to establish the setup for KODAK EKTACHROME Films on all scanners. These targets are manufactured to ANSI standards and represent the dye sets of all EKTACHROME Films.
For Photo CD Applications
Use the Universal E-6 Film Term to scan all KODAK EKTACHROME films for Photo CD Imaging Workstation applications.
For output to a Photo CD Player: Using the Universal E-6 Film Term should result in an image that closely matches your original transparency in density, tone scale, and overall color balance when viewed on a player.
For output to Devices Other than Photo CD Players: The YCC data that results when using the Universal E-6 Film Term is capable of producing a high-quality duplicate of your original transparency in terms of density, tone scale, and color reproduction. Final quality of your reproduced image depends on the capabilities of your output device, the viewing environment, and the rendering path that is used.
CURVES
*Read at a gross diffuse visual density of 1.0, using a 48-micrometre
aperture.
Characteristic Curves
E100G Film
Characteristic Curves
E100GX Film
Diffuse rms Granularity *  8 (extremely fine)
Spectral-Sensitivity Curves E100G and E100GX Films
Spectral-Dye-Density Curves
E100G and E100GX Films
NOTICE : The sensitometric curves and data in this publication represent product tested under the conditions of exposure and processing specified. They are representative of production coatings, and therefore do not apply directly to a particular box or roll of
photographic material. They do not represent standards or specifications that must be met by Eastman Kodak Company. The company reserves the right to change and improve product characteristics at any time.
KODAK PROFESSIONAL EKTACHROME Films E100G and E100GX
Minor Revision 9-09Printed in U.S.A.
KODAK PROFESSIONAL
EKTACHROME Films E100G and
EASTMAN KODAK COMPANY
Modulation-Transfer Curves
E100G and E100GX Films
MORE INFORMATION
Kodak has many publications to assist you with information on Kodak products, equipment, and materials.
The following publications are available from Kodak customer service, or from dealers who sell Kodak products, or you can contact Kodak in your country for more information.
For the latest version of technical support publications for KODAK PROFESSIONAL Products, visit Kodak on-line at:
www.kodak/go/professional If you have questions about KODAK PROFESSIONAL Products, call Kodak.In the U.S.A.:
1-800-242-2424, Ext. 19, Monday–Friday – (Eastern time)In Canada:
1-800-465-6325, Monday–Friday – (Eastern time)
Note: The Kodak materials described in this publication for use with KODAK PROFESSIONAL EKTACHROME Films E100G and E100GX are available from dealers who supply KODAK PROFESSIONAL Products. You can use other materials, but you may not obtain similar results.
E-8KODAK EKTACHROME 64 Professional Film E-130KODAK EKTACHROME 64T Professional Film E-27KODAK EKTACHROME 100 Professional Film E-163KODAK PROFESSIONAL EKT ACHROME Film E100VS
E-113
KODAK EKTACHROME 100 Plus Professional Film E-28
KODAK PROFESSIONAL EKT ACHROME Film E200
E-30Storage and Care of KODAK Photographic Materials—Before and After Processing E103RF KODAK PROFESSIONAL Color Reversal Films E-144KODAK EKTACHROME 160T Professional Film E-145KODAK EKTACHROME 320T Professional Film E-147KODAK EKTACHROME 1600 Professional Film E-161KODAK EKTACHROME 400X Professional Film E-2529KODAK PROFESSIONAL EKT ACHROME Duplicating Film EDUPE
Z-119
Using KODAK Chemicals, Process E-6
Kodak, Kodak Professional, Edupe, Ektachrome, Endura, Estar,

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