托福阅读真题与答案：新艺术风格
托福阅读真题的训练，可以让考生掌握托福阅读的调查內容及其考题难度系数，进而更为有策略地整体规划备考。文中小编为诸位中国考生产生了托福阅读真题与回答：新艺术风格，期待对大伙儿的备考有一定的协助。
托福阅读真题与答案：新艺术风格
The end of the nineteenth century and the early years of the twentieth century were marked by the development of an international Art Nouveau style, characterized by sinuous lines, floral and vegetable motifs, and soft evanescent coloration. The Art Nouveau style was an eclectic one, bringing together elements of Japanese art, motifs of ancient cultures, and natural forms. The glass objects of this style were elegant in outline, although often deliberately distorted, with pale or iridescent surfaces. A favored device of the style was to imitate the iridescent surface seen on ancient glass that had been buried. Much of the Art Nouveau glass produced during the years of its greatest popularity had been generically termed "art glass." Art glass was intended for decorative purposes and relied for its effect upo
n carefully chosen color combinations and innovative techniques.
France produced a number of outstanding exponents of the Art Nouveau style; among the most celebrated was Emile Galle (1846-1904). In the United States, Louis Comfort Tiffany (1843-1933) was the most noted exponent of this style, producing a great variety of glass forms and surfaces, which were widely copied in their time and are highly prized today. Tiffany was a brilliant designer, successfully combining ancient Egyptian, Japanese, and Persian motifs.
The Art Nouveau style was a major force in the decorative arts from 1895 until 1915, although its influence continued throughout the mid-1920's. It was eventually to be overtaken by a new school of thought known as Functionalism that had been present since the turn of the century. At first restricted to a small avant-garde group of architects and designers, Functionalism emerged as the dominant influence upon designers after the First World War. The basic tenet of the movement — that function should determine form — was not a new concept. Soon a distinct aesthetic code evolved: form should be simple, surfaces
plain, and any ornament should be based on geometric relationships. This new design concept, coupled with the sharp postwar reactions to the styles and conventions of the preceding decades, created an entirely new public taste which caused Art Nouveau types of glass to fall out of favor. The new taste demanded dramatic effects of contrast, stark outline and complex textural surfaces.
题型：
1. What does paragraph 1 mainly discuss?
(A) Design elements in the Art Nouveau style
(B) The popularity of theArt Nouveau style
(C) Production techniques for art glass
(D) Color combinations typical of the Art Nouveau style
2. The word "one" in line 4 refers to
(A) century
(B) development
(C) style
(D) coloration
3. Paragraph 1 mentions that Art Nouveau glass was sometimes similar to which aspect of ancient buried glass?
(A) The distortion of the glass
(B) The appearance of the glass surface
(C) The shapes of the glass objects
(D) The size of the glass objects
4. What is the main purpose of paragraph 2?
(A) to compare different Art Nouveau styles
(B) to give examples of famous Art Nouveau artists
(C) to explain why Art Nouveau glass was so popular in the United States
(D) to show the impact Art Nouveau had on other cultures around the world
5. The word "prized" in line 16 is closest in meaning to
(A) valued
(B) universal
(C) uncommon
(D) preserved
6. The word "overtaken" in line 20 is closest in meaning to
(A) surpassed
(B) inclined
(C) expressed
(D) applied
7. What does the author mean by stating that "function should determine form" (lines 23-24)?
(A)A useful object should not be attractive.
(B) The purpose of an object should influence its form.
(C) The design of an object is considered more significant than its function.
(D) The form of an object should not include decorative elements.
8. It can be inferred from the passage that one reason Functionalism became popular was that it
(A) clearly distinguished between art and design
(B) appealed to people who liked complex painted designs
(C) reflected a common desire to break from the past
(D) was easily interpreted by the general public
9. Paragraph 3 supports which of the following statements about Functionalism?
(A) Its design concept avoided geometric shapes.
(B) It started on a small scale and then spread gradually.
(C) It was a major force in the decorative arts before the First World War.
(D) It was not attractive to architects and designers.
10.According to the passage , an object made in the Art Nouveau style would most likely include
(A) a flowered design
(B) bright colors
(C) modern symbols
(D) a textured surface
回答：ACBBA ABCBA
新托福阅读背景知识：吉他简史(英文版)
portugueseA Brief History of the Guitar
There is evidence that a four string, guitar-like instrument was played by the Hittites (who occupied a region now known as Asia Minor and Syria) around 1400 BC. It had characteristically soft, curved sides--one of the primary features of anything identifiable as a guitar or predecessor. The Greeks also produced a similar instrument which was later modified by the Romans, though both versions appear to have lacked the curved sides. Wh
at is interesting here is that it seems this Roman cithara appeared in Hispania (now known as Spain) centuries before the Moorish invasion.

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