Music
Main article: Music of Korea

Pansori 
PungmulApart from the instruments used, traditional Korean music is characterized by improvisation and the lack of breaks between movements. A pansori performance can last for over eight hours during which a single singer performs continuously.
Rather than contrasting different speeds as it is common in Western music, most traditional Korean music begins with the slowest movement and then accelerates as the performance continues.
Korean court music, called jeongak, is closely related to the literate upper-class, and has a strong intellectual emphasis. Jeongak is played at a very slow pace, with single beats taking as long as three seconds. The beat matches the speed of breathing rather than the heartbeat as in most Western music, and feels static and meditative.
The tone of Jeongak is soft and tranquil because the traditional instruments are made of
non-metallic materials. String instruments have strings made of silk rather than wire. Almost all wind instruments are made of bamboo.
Pungmul is Korea's folk music and is full of expressions and emotions. This kind of traditional music is closely related to the lives of common people. As with the Jeongak, improvisation is common in Minsogak.
Traditional Korean musical instruments can be divided into wind, string, and percussion types. Wind instruments include the piri (cylindrical oboe), taepyeongso (metal-bell shawm), daegeumsaenghwang (mouth organ) and the hun (ocarina). Traditional string instruments include zithers such as the gayageum, geomungo, and ajaeng, and the haegeum, a two-stringed fiddle.
A great number of traditional percussion instruments are used including the kkwaenggwari (hand-held gong), the jing (hanging gong), buk (barrel drum), janggu, (hourglass drum), bak (clapper), and pyeonjong (bell chimes or stone chimes), as well as the eo (tiger-shaped scraper) and the chuk (wooden box).
Dancescraper
Main article: Korean dance

Jinju geommuAs with music, there is a distinction between court dances and folk dances. Common court dances are jeongjaemu performed at banquets, and ilmu, performed at Confucian rituals. Jeongjaemu is divided into native dances (hyangak jeongjae) and forms imported from China (dangak jeongjae). Ilmu are divided into civil dance (munmu) and military dance (mumu).
Religious dances include all the performances at shamanistic rites (gut). Secular dances include both group dances and individual performances.
Traditional choreography of court dances is reflected in many contemporary productions.
Painting
Main article: Korean painting

A scenery on Dano dayThe earliest paintings found on the Korean peninsula are petroglyphs of prehistoric times. With the arrival of Buddhism from China, different techni
ques were introduced. These techniques quickly established themselves as the mainstream techniques, but indigenous techniques still survived.
There is a tendency towards naturalism with subjects such as realistic landscapes, flowers and birds being particularly popular. Ink is the most common material used, and it is painted on mulberry paper or silk.
In the 18th century indigenous techniques were advanced, particularly in calligraphy and seal engraving.
Arts are both influenced by tradition and realism in North Korea. For example, Han’s near-photographic "Break Time at the Ironworks" shows muscular men dripping with sweat and drinking water from tin cups at a sweltering foundry. Son’s "Peak Chonnyo of Mount Kumgang" is a classical Korean landscape of towering cliffs shrouded by mists (source : "The New York Times", [5]. Sisters Duk Soon Fwhang and Chung Soon Fwang O'Dwyer who fled to the United States in the late 1950s avoid overtly political statements, and render seemingly benign subjects of nature—flowers, birds, fields, insects, mountains—as tempestuous and emotionally charged zones of conflict.

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