07年英国文学课件
The Middle Ages (to ca. 1485)
•Anglo-Saxon England
•Beowulf (translated by Seamus Heaney)
to know about the story and the form, the significance refer to Oxford Companion
Middle English Literature in
the Fourteenth and Fifteenth Centuries
Geoffrey Chaucer(1343?-1400)
The Canterbury Tales The General Prologue The Miller’s Prologue and Tale
The Prologue The Tale
Refer to OCEL.
The Sixteenth Century
(1485-1603)
Sir Thomas More(1478-1535) Utopia Book 1 [More Meets a Returned Traveler]
Book 2 [Marriage Customs]
Sir Thomas Wyatt the elder
(1503-1542)
The long love that in my thought doth harbor
Whoso list to hunt
Farewell, Love
The Lover Showeth How He Is Forsaken of Such as He Sometime Enjoyed
he English Bible
from Tyndale’s Translation
from The Geneva Bible
from The Douay-Rheims Verison
from The Authorized (King James Version)
Henry Howard, Earl of Surrey(1517-1547)
The soote season
Love, that doth reign and live within my thought
Alas! so all things now do hold their peace
Edmund Spenser(1552-1599)
The Faerie Queene
Book 2 Canto 12
[The Bower of Bliss]
Amorretti
Sonnet 1(“Hapy ye leaves when as those lilly hands”)
Sonnet 68(“Most glorious Lord of lyfe, that on this day”)
Edmund Spenser(1552-1599)
Sonnet 75(“One day I wrote here name upon the strand”)
Prothalamion
Epithalamion
Refer to Norton Anthology of English Literature
Sir Philip Sidney(1554-1586)
A Ditty Golden Treasury
The Nightingale
Astrophil and Stella
1(“Loving in truth, and fain in verse my love to show”)
31(“With how sad steps, O Moon, thou climb’st the skies”)
*39(“Come sleep! O sleep the certain knot of peace”)
Sir Philip Sidney(1554-1586)
from The Defense of Poesy[the poet, poetry] [POETRY, PHILOSOPHY, HISTORY]
Christopher Marlowe(1564-1593)
The Passionate Shepherd to His Love from The Tragical History of Doctor Faustus
Hero and Leander
William Shakespeare(1564-1616)
SONNETS
18(“Shall I compare thee to a summer’s day?”)
29(“When, in disgrace with Fortune and men’s eyes”)
60(“Like as the waves make towards the pebbled shore”)
73 (“That time of year thou mayst in me behold”)
116(“Let me not to the marriage of true minds”)
SONGS FROM THE PLAYS
Who is Silvia? What is she?
Tell me where is fancy bred?
Blow, blow, thou winter wind
*O Mistress Mine 王佐良《名篇选注》74
*Full Fathom Five
Hamlet
King Lear
Macbeth
Othello
Romeo and Juliet
Merchant of Venice
The Tempest
•Twelfth Night
•King Henry IV, Parts I and II
•King Henry V
•Jennifer Bassett: William Shakespeare
•Gu’s translation of Shakespeare’s Sonnets
Thomas Nashe (1567-1601)
•Spring, the Sweet Spring
The Early Seventeenth Century
(1603-1660)
•John Donne (1572-1631)
•SONGS AND SONNETS
•The Flea
•*The Good-Morrow
•Song(“Go and catch a falling star”)
• A Valediction: Forbidding Mourning
•Holy Sonnets
•10(“Death, be not proud, though some have calléd thee”)
Ben Jonson (1572-1637)
To Celia
To the Memory of My Beloved, the Author, Mr. William Shakespeare and What He Hath Left Us
Francis Bacon(1561-1626)
Essays
Of Marriage and Single Life
Of Studies
Robert Herrick(1591-1674)
To the virgins, to Make Much of Time
Andrew Marvell(1621-1678)
To His Coy Mistress
*The Garden
John Milton(1608-1674)
SONNETS How Soon Hath Time When I Consider How My Light Is Spent
POEMS Lycidas Paradise Lost Book I, 1-25
John Milton(1608-1674)
[Theme of the Epic]
Book I, 84-124
[Stan’s Speech]
The Restoration and the Eighteenth Century (1660-1785)
John Dryden (1631-1700)
An Essay of Dramatic Poesy
[Two Sorts of Bad Poetry]
[The Wit of the Ancients: The Universal]
[Shakespeare and Ben Jonson Compared]
John Bunyan(1628-1688)
The Pilgrim’s Progress
[Vanity Fair]
Daniel Defoe(1660?-1731)
from Robinson Crusoe
[Crusoe Visits the Wreck]
Jonathan Swift(1667-1745)
Gulliver’s Travels
Part 1. A Voyage to Lilliput
Chapter 2 [The Emperor Comes]
A Modest Proposal
Joseph Addison(1672-1719)
Richard Steele(1672-1729)
The Spectator Introduces Himself to The Reader (Addison)
The Spectator’s Club (Steele)
Alexander Pope(1688-1774)
The Quiet Life
An Essay on Criticism
[Part II, 289-383]
Henry Fielding(1707-1754)
Tom Jones, the History of a Foundling
Samuel Johnson(1709-1784)
Letter to Lord Chesterfield
from The Preface to Shakespeare
[Shakespeare’s excellence. general nature]
Thomas Gray(1716-1771)
Elegy Written in a Country Churchyard
The Romantic Period (1785-1830)
William Blake (1757-1827)
Songs of Innocence
Introduction
The Lamb
*The Chimney-Sweeper
Songs of Experience
Introduction
*The Sick Rose
The Tyger
Robert Burns (1759-1796)
Farewell to the Highlands
Auld Lang Syne
A Red, Red Rose
John Anderson, My Jo
William Wordsworth (1770-1850)
My heart leaps up when I behold
I wandered lonely as a cloud
Lines Composed a Few Miles above Tintern Abbey
The Solitary Reaper
We Are Seven
The Tables Turned
William Wordsworth (1770-1850)
Preface to Lyrical Ballads (1802) Norton 236
[The Subject and Language of Poetry]
[What Is a Poet?]
[Emotion Recollected in Tranquility]
Walter Scott (1771-1832)
Novels are Waverley (1814), Old Mortality (1816), Ivanhoe (1819)
romantic narrative poems The Lay of the Last Minstrel (1805) and The Lady of the Lake (1810)
Samuel Taylor Coleridge (1772-1834)
The Eolian Harp
Kubla Khan
Rime of the Ancient Mariner
Charles Lamb (1775-1834)
Essays of Elia [Dream Children: a Reverie]
The Last Essays of Elia [Old China]
*Tales from Shakespeare [The Tempest]
Jane Austen (1775-1817)
major novels are Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814), Emma (1815), Northanger Abbey (1818), and Persuasion (1818)
They are notable for skilful characterization and penetrating social observation; Austen brings a dry wit and satirical eye to her portrayal of middle and upper-class life, capturing contemporary values and moral dilemmas.
George Gordon Byron, Lord (1788-1824)
On Chillon
She Walks in Beauty
When We Two Parted
from Don Juan, Canto III
[The Isles of Greece]
from Childe Harold’s Pilgrimage, Canto I, Verse 13
[Adieu, Adieu! My Native Shore]
Percy Byshhe Shelley (1792-1822)
Ode to the West Wind
One Word Is Too Often Profaned
Love’s Philosophy
Ozymandias
To a Sky-Lark
Percy Byshhe Shelley (1792-1822)
Major works include the political poems Queen Mab (1813) and The Mask of Anarchy (1819), Prometheus Unbound (1820), a lyrical drama on his aspirations and contradictions as a poet and radical, lyric poetry (e.g. 'Ode to the West Wind', 1820), the essay The Defence of Poetry (1821), vindicating the role of poetry in an increasingly industrial society, and Adonais (1821), an elegy on the death of Keats. Shelley was drowned in a boating accident.
John Keats (1795--21)
On First Looking into Chapman’s Homer
*When I Have Fears that I may cease to be
*Bright Star, would I were stedfast as thou art
*La Belle Dame sans Merci: A Ballad
Ode to a Nightingale
Ode on a Grecian Urn
To Autumn
John Keats (1795-1821)
LETTERS
To George and Thomas Keats (Dec. 21, 27[?], 1817)
[Negative Capability]
To John Taylor (Feb. 27, 1818)
[Keats’s Axioms in Poetry]
To Richard Woodhouse (Oct. 27, 1818)
[A Poet Has No Identity]
The Victorian Age (1830-1901)
Thomas Carlyle (1795-1881)
On Heroes and Hero Worship
from Lecture III. The Hero As Poet
[Shakespeare]
Elizabeth Barret Browning (1806-1861)
The Cry of the Children
A Musical Instrument
Sonnets from the Portuguese
32 (“The first time that the sun rose on thine oath”)
43 (“How much do I love thee, let me count the ways”)
Alfred, Lord Tennyson (1809-1892)
Break, Break, Break
Ulysses
from In Memoriam A. H. H.
*The Lady of Shalott
Edward Fitzgerald (1809-1883)
The Rubáiyát of Omar Khayyám
Robert Browning (1812-1889)
Home-Thoughts, From Abroad
The Lost Leader
My Last Duchess
Robert Browning (1812-1889)
In 1842 he established his name as a poet with the publication of Dramatic Lyrics, containing such
poems as 'The Pied Piper of Hamelin' and 'My Last Duchess'. Dramatic Romances and Lyrics (1845), which included 'Home Thoughts from Abroad', built on this success. In 1846 he eloped to Italy with Elizabeth Barrett, and a highly creative period followed: Men and Women (1855) and The Ring and the Book (1868-9), a series of dramatic monologues, were among the important works completed during this time.
William Makepeace Thackeray (1811-1863)
All of his novels originally appeared in serial form; he established his reputation with Vanity Fair (1847-8), a vivid portrayal of early 19th-century society, satirizing upper-middle class pretensions through its central character Becky Sharp. Later novels include Pendennis (1848-50), The History of Henry Esmond (1852), and The Virginians (1857-9).
Charles Dickens (1812-1870)
A Tale of Two Cities
David Copperfield
Oliver Twist
Great Expectations
Short Stories
refer to OCEL.
Charlotte Brontë(1816-1855)
Jane Eyre
Emily Brontë (1818-1848)
Wuthering Heights
No Coward Soul Is Mine
George Eliot (1819-1880)
George (pseudonym of Mary Ann Evans) (1819-80) Eliot, English novelist. She is best known for her novels of provincial life, including Adam Bede(1859), The Mill on the Floss(1860), and Middlemarch (1871-2). Famed for her intellect, scholarly style, and moral sensibility, she is regarded as one of the great English novelists. Early influenced by evangelicalism, she later adopted agnostic views, although religious themes continued to feature prominently in her novels.
Matthew Arnold (1822-1888)
English poet, essayist, and social critic. Author of 'The Scholar Gipsy' (1853), 'Dover Beach' (1867) and 'Thyrsis' (1867), he held the post of professor of poetry at Oxford (1857-67) and published several works of literary and social criticism, including Culture and Anarchy(1869). This established him as an influential social and cultural critic, who, in his views on religion, education, and the arts, criticized the Victorian age in terms of its materialism, philistinism, and complacency.
Christiana Georgina Rossetti (1830-1894)
Song (“When I am dead, my dearest”)
< Shakespeare’s Sonnets 71
*Remember
*Hphill
*Passing Away
*An Apple-Gathering
Gerard Manley Hopkins(1844-1889)
Pied Beauty
The Windhover
The Starlight Night
Spring
Oscar Wilde (1854-1900)
The Happy Prince
The Devoted Friend
*The Critic as Artist
steele[Criticism Itself an Art]
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